Nicolas Cage
Adaptation
For a variety of reasons, Nicolas Cage ends up on many people's lists
of actors they "just can't stand." There's no shortage of those among
BOP staff, which tells you a lot about what we must have thought of
Nic, voting him in as our Best Actor of the year for his dual role in
Adaptation as Charlie and Donald Kaufman. Often one of the more
gimmicky actors around, he was able to portray two very different
characters without resorting to makeup or trickery and still make it
very clear which character was which. Charlie's tortured artist and
Donald's cheery sell-out made for two of the more intriguing
characters of the year, thanks in large part to Cage's excellent
acting.
His narrow victory is a bit of an upset over initial favorite Hugh
Grant in About a Boy, who captured the emotionally immature lead
character of Nick Hornby's novel perfectly (Liz Hurley probably
thought it was a documentary). Grant has developed a great career in
the last couple of years playing the irresponsible cad and this role
gives us the best work he's done yet, a real ego-shattering performance. Grant
had the most placements of any actor in this category but lost out to
Cage due to fewer high rankings.
Third place went to Jack Nicholson in About Schmidt, whose role
parallels Cage's in certain ways. An actor accused of often "playing
himself," Nicholson defied these stereotypes by taking on the role
of retiree Warren Schmidt (I wouldn't have been able to not call him
Jack if I wrote the script), who realizes perhaps too late that he's
left no impact in life. It's a cautionary performance from a
charismatic actor that shows why Nicholson has deserved three Academy
Awards.
Sam Rockwell is a criminally underrated actor, though not by us as we
gave him fourth place for his role as Chuck Barris in
Confessions of a Dangerous Mind. It's a delightfully unhinged
performance in Barris's "was-he or wasn't he?" tale of espionage, his
character drenched in cynicism. Rockwell has labored on the sidelines in
several movies now, stealing scenes left and right, but this should
be his star-making turn.
In what turned out to be one of the more surprising performances of
the year, Punch-Drunk Love's Adam Sandler took fifth place,
playing a salesman with a horribly tormented soul. The rage that's
normally present in Sandler's characters is used to powerful effect,
punctuating his feelings of hopelessness and despair, but leading him
towards his salvation. Sandler has been a whipping boy for the critics for a long time. This performance won't shut them up forever, but it
certainly quieted them down this year.
The second half of the top ten is a mix of actors from smaller films
(Michael Caine, Campbell Scott, Adrien Brody) and big Hollywood
productions (George Clooney, Mel Gibson). The first three likely
suffered due to fewer voters having the opportunity to see their
pictures, but all found some support, especially Caine and Scott,
both of whom received two first place votes. Both Clooney and Gibson
turned in career-best performances and busted a few perceptions
about their range. Similarly, just outside the top ten is
Bill Paxton for Frailty.
Among other notable Oscar contenders, Richard Gere and Daniel
Day-Lewis faired poorly, with Day-Lewis recieving just 17 points and
Gere finishing outside the top 20. The only actor who landed votes
for multiple performances is Ed Norton, though neither of his
roles in 25th Hour or Death To Smoochy placed highly. (Reagen Sulewski/BOP)
Top Ten
|
Position |
Actor |
Film |
Total Points |
1
|
Nicolas Cage
|
Adaptation
|
114
|
2
|
Hugh Grant
|
About a Boy
|
104
|
3
|
Jack Nicholson
|
About Schmidt
|
93
|
4
|
Sam Rockwell
|
Confessions of a Dangerous Mind
|
84
|
5
|
Adam Sandler
|
Punch-Drunk Love
|
60
|
6
|
Michael Caine
|
The Quiet American
|
38
|
7
|
Campbell Scott
|
Roger Dodger
|
37
|
8
|
Adrien Brody
|
The Pianist
|
36
|
9
|
George Clooney
|
Solaris
|
36
|
10
|
Mel Gibson
|
Signs
|
36
|
Best Picture
Best Director
Best Actress
Best Supporting Actor
Best Supporting Actress
Best Screenplay
Best Scene
Best Cast
Best Use of Music
Worst Picture
Best Trailer
Best DVD
Best Overlooked Film
Return to the 2003 Calvin Awards