BOP Interview - The Mortal Instruments: City of Bones
Lily Collins, Jamie Campbell Bower and author Cassandra Clare
By Ryan Mazie
August 19, 2013
Fans buying movie tickets weeks in advance before the film’s release. Teens by the hundreds queuing all day to meet the cast and author on a multi-city mall tour. An inescapable advertising effort. If this all sounds very reminiscent of Twilights and Potters past, then the people behind the upcoming The Mortal Instruments: City of Bones must be in a confident position.
Set in New York City, Lily Collins (Mirror, Mirror, The Blind Side) stars as Clary, a seemingly normal girl who becomes a supernatural heroine. After witnessing a murder no one else can see, she discovers she is a part of a secret cadre of Shadowhunters; a group of half-humans/half-angels who ward away demons from the world they are invisible to.
With over 20 million copies in print worldwide, The Mortal Instruments: City of Bones seems to be as close to a “sure thing” hit as you can get in Hollywood. In fact, a sequel is already in pre-production months before the first hits movie screens and IMAX on August 21st. For further ammunition, Jamie Campbell Bower, who has appeared in two of the biggest young adult book-to-film successes to date (Twilight and Harry Potter), is the male lead.
On the Philadelphia stop on their mall tour, I had the opportunity to interview with stars Collins, Bower, and the series author Cassandra Clare.
Before coming here I tweeted about interviewing all of you and my notifications just exploded. People are very passionately excited about this movie. For each of you, what was the book-to-film adaptation where you said, “I hope they don’t mess this up”?
Cassandra Clare: [Without hesitation] Lord of the Rings. They are my favorite books. Robert Shaye and Michael Lynne are producers on Lord of the Rings, which is kind of why I sold them the rights to Mortal Instruments, because they did a great job and know fantasy.
Lily Collins: Harry Potter all the way. I wanted to be Hermione so bad. But it was perfectly cast, everything about it; the depth of it, the feel of it, the production value, the magic. Everything to me was exactly how I planned it in my own head and I can watch them over and over again.
Jamie Campell Bower: And for our generation, that was awesome, because we got to see a complete progression of not only the writing possibilities, but also the special effects. I remember when the first movie came out; I thought that was the fucking coolest thing I ever saw in my life. And now I sit there watching the first movie to the last movie and they have done so much it’s insane. I suppose that’s very cool for our generation to grow up with. My adaptation would have been Jack Kerouac’s On the Road. It’s a seminal novel. I love Salinger. I was very much into Wordsworth and romanticism and all of that stuff and then I read On the Road and it was insane. So when they made the movie I was like, “I really want to be a part of this” or “I hope that they do well” and it killed it. It was an awesome film.
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