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The situation became grimmer a couple of days later. Sony employees and their families were threatened via email, followed by another missive from the GOP that denied sending the warning, but nonetheless stated, “Stop immediately showing the movie of terrorism which can break the regional peace and cause the War!” Even as Sony was being forced to reexamine their own security, the issue was becoming something much more culturally significant. Then, on December 16th, the most aggressive threat arrived as the GOP warned, “The world will be full of fear. Remember the 11th of September 2001. We recommend you to keep yourself distant from the places at that time. (If your house is nearby, you’d better leave.) Whatever comes in the coming days is called by the greed of Sony Pictures Entertainment.” This chilling invocation of the tragedy that occurred over a decade ago would set off a chain of events that transformed The Interview from just another middling Seth Rogen comedy to a symbol of free speech and defiance against terrorism. I should pause at this point to note that as more and more details of the Sony hack were revealed, we began talking around the BOP offices about whether it merited a spot on the Top Film Industry Stories of 2014 list. We had already established our stories (for the most part) starting in late November and early December, but suddenly it felt like the hack was an absolutely critical inclusion. As December progressed, we went from, “Yeah, maybe it should be a story” to “Actually, the Sony hack should probably be our #1 story” to “Whoa. The Sony hack is one story, and The Interview is another story all on its own.”
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