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But there’s nothing wrong with that, especially when it is relatively effective. The jokes are neatly set up and executed; the mayhem unfolds in a reliable rhythm. A good number of the gags have streaks of sitcom-style absurdity — developments are frequently introduced to shove the family to the next set piece, regardless of believability — but Alexander never becomes distractingly absurd. Supporting appearances by Megan Mullally and Donald Glover are disappointingly brief, but an unexpected cameo by a very senior member of the big-screen aristocracy — I won’t spoil it — is delightful. Fortunately, Carrell once again brings enough earnestness to the film to carry the weight (with an assist to the most talented of the children, Kerris Dorsey as Elizabeth). Is it thin and forgettable? Sure. But there’s a decent chance that multiple generations will get a chuckle out of Alexander, and that’s no small achievement. My Rating: 7/10 Sean Collier is the Associate Editor of Pittsburgh Magazine and a member of the Broadcast Film Critics Association. Read more from Sean at pittsburghmagazine.com/afterdark
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