There's just so much for me to criticize here, I don't even know where to
begin. First, let's start with the title. 2 Fast 2 Furious? What is
this,
Tupac's 37th postmortem album? This is literally one of the worst titles
I've
ever heard, somewhere in between Ballistic: Ecks vs. Sever and Bulletproof
Monk. As for the film itself, they've taken away Vin Diesel and both the
really hot girls (i.e., all the cool characters in the movie), and left us
with whiny Paul Walker and an equally-annoying Tyrese. And we're supposed
to
think this film looks good? There aren't even any good car chase scenes
in
the preview - the biggest stunt is Walker driving really fast in a straight
line and then stopping. You've got to be kidding me. Honestly, every
part of
this trailer completely sucks, and as someone who readily admits they were
fan
of the first movie, I am extremely disappointed in what's seen here.
First things first: the use of Smashing Pumpkins' "Bullet with Butterfly
Wings" is perhaps the best use of a song in an advertising campaign ever.
When the rats appeared, and Billy Corgan's screaming kicked in, I couldn't
stop laughing. It's almost as if some closet Smashing Pumpkins fan studio
executive decided to make this movie just so this song could be used in
the
ads. Unfortunately, once you get past the hilarity of the song, the
trailer
flat-out sucks. The spot wavers between completely not scary and flat-out
gross (Rats coming out of the toilet when the girl sits down on it? Come
on
now.). Crispin Glover looks just as weird as always, though I suppose
this is
what the filmmakers were going for. All in all, though I really, really
wanted to like this spot thanks to its inspired choice of music, I have to
admit that this truly is a wretched-looking movie.
Every week, it feels like I see a trailer for yet another remake of a
classic
Disney movie. This time, the classic animated shorts of Winnie the Pooh
have
been updated into a full-length film starring Pooh, Piglet, Eeyore, and
the
rest of the gang. I say this every time Disney releases one of these
new "sequels", but I'll say it again - for the love of God, please just
come up
with some original ideas. These movies pale in comparison to the classic
animated films we all love, and they only serve to tarnish their legacy.
I
wish I could say for once that this "sequel" was going to live up to the
original, but unfortunately Piglet's Big Movie simply looks like the means
for
making a quick buck, not in any way staying true to the classic tales of
the
Hundred Acre Wood.
The mystery and spirituality of love seem to be the themes of choice in
this
romantic drama. Guy Pearce plays a man whose bittersweet memories of the
past
are recalled when he meets a mysterious woman, played by Helena Bonham
Carter. I wasn't overly impressed with this spot, as it really didn't
elicit
too much of a response from me. Even though I'm usually a big fan of
Pearce's
work, I couldn't really see him in this type of role, nor did the scenes
shown
between him and Carter display any strong chemistry. The movie's premise
seems interesting, though, so this might simply be the case of a film
hindered
by poor marketing. Time will tell.
This quirky-looking film looks, as you might discern from the title,
pretty
damn chaotic. Apparently the story is about people whose mundane lives
are
turned upside down when they have a bizarre chance encounter with a
perfect
stranger. Beyond that, I really wasn't able to figure out much from this
preview, but I would imagine that was the point. Much of the effort here
seems to be on promoting new actress Rachida Brakni, though it's hard to
tell
whether this is valid or not, considering we don't hear a single line of
dialogue, nor do we see anything which could constitute a complete scene
from
the film. This is a movie that wears its "artsy" label very proudly, as
this
spot makes abundantly clear. Those who like that kind of film will likely
appreciate this trailer, while everyone else is left wondering.
This slick thriller stars Nick Nolte (looking far better than when we last
saw
him in his infamous mug shot) as an aging thief who, as the classic
storyline
goes, is returning to the world of crime for one last job. Though the
story
doesn't seem to stray much from that tried-and-true plotline, it does look
fairly good. Ralph Fiennes (is there anything he isn't in?) also stars
here
as one of Nolte's partners in the heist, and he is mentionable only
because he utters one of the most laughably bad threats I've heard
recently in
a movie (I'm not going to spoil it here for you, you're going to have the
watch the trailer for yourself). Despite this unfortunate line, though,
the
movie still looks to have some potential, especially for those who just
can't
get enough of the crime thriller genre.
The Guys is perhaps the first film (Spike Lee's 25th Hour being the other
possible contender) to have 9/11 as its central theme. Sigourney Weaver
plays
a writer who helps a fire chief write eulogies for his men who were lost
in
the tragedy. Obviously, 9/11 is still very much in recent memory for
Americans, and a film dealing with it runs the risk of being seen
as "insensitive" for trying to capitalize on such a horrific occurrence.
Nevertheless, I was impressed with the poignancy of this trailer and how
it
dealt with the issue. I imagine that, for some people, no matter how
well-
done the film is, it will simply be too hard to take in. For others,
though,
The Guys looks to have the potential to deal with 9/11 in a way that
glorifies
the heroes of that day, rather than the sorrow that was caused.
Don't let the first half of the trailer fool you- this is not another
light-
hearted French comedy starring Audrey Tautou. Instead, this film is split
into two halves, each one telling the same story, but from a different
perspective. The basic plotline is that Tautou plays a woman who falls in
love
with a doctor, and tries to get him to leave his wife and go away with
her.
First we see the story from her point of view, and then from his, and of
course the differences are large. I like this idea very much, and think
it
could make for quite a good movie. I also like Tautou playing the woman,
as
it creates an even bigger shift between the character's apparent sweet
innocence and her darker side. All in all, I think this film has a lot of
potential, and I was rather intrigued by the trailer. Despite the
somewhat
awkward title, this is certainly a film I will watch for.
In what is sure to be a fascinating documentary, Blind Spot is merely
footage
of an interview that was conducted with one of Adolf Hitler's secretaries
before her death last year. The film's trailer intersperses short clips
of
the interview with various praises lavished on the film by critics. It is
through these quotes that we are able to discern anything about the movie,
and
Traudl Junge's words simply serve as a complement to this praise. This
movie
is the type that people will be interested in more from simply hearing
about
it than seeing a preview for it, and I think the spot does a good job of
sticking to that notion through its use of quotes from reviews to sell the
film. Whereas reviewers' praise in a trailer often seems like overkill,
here
it fits the documentary's marketing angle quite well.
Although I had not heard about this film beforehand, I was quite
interested in
this trailer. The story appears to be about a girl who falls in love with
her
brother's best friend, and how their relationship affects the small rural
town
they live in. I was impressed with the scenes shown between the lovers,
played by Zooey Deschanel and Paul Schneider. This film did recently
receive
some acclaim at the Sundance Film Festival, so I was a little surprised
not to
see any mention of that here. I personally think this film looks very
interesting, mainly on account of what looks to be some very good
performances
by many little-known actors and actresses. I certainly will keep an eye
out
for this movie.
The Holocaust movie theme continues with this foreign film about a Nazi
officer and a priest who are determined to expose the Nazi's use of
poisonous
gas to kill the Jews and other prisoners of the concentration camps. This
is
obviously a very heavy subject, and the music chosen to go with the spot
fits
very well. The trailer also did a good job with presenting the story but
not
giving too much of it away, and consequently I was quite intrigued by the
plot. One scene that stood out to me was when the Nazi officer sees the
gas
canister and then peers into the peephole in the train car, only to pull
back
immediately from disgust. Overall, I found this spot to be quite good,
and
the film looks like it has the potential to be a very well-made drama on
the
Holocaust.
Maybe I'm just a sucker for airy French songs, but I found this spot
absolutely charming. The film has an impressive ensemble cast, though
Kate
Hudson is featured most in the preview as a young American woman who
travels
to France only to find herself getting caught up in the culture and
romance of
Paris. Although I don't often care for Hudson too much, I liked her much
more
here than usual. Naomi Watts also looked good in her role as Hudson's
best
friend. This movie is definitely selling itself on simply being a fun
time at
the theater, and I think this angle will go over quite well with
moviegoers,
especially adults. I also loved the tagline at the end - "Everything
sounds
sexier in French". This is a perfect example of the light-hearted tone
this
trailer has that I think will be quite appealing to older audiences when
they
see this preview in theaters.