After four films, 315 video games, and 5,642 Pokémon, there are apparently
enough fans of the franchise left to warrant the making of a fifth Pokemon
film. The main attraction here appears to be the addition of a whopping two
new Pokémon (which I believe translates into eight new video games). Having
never understood the whole Pokémon craze in the first place, I am at somewhat
of a loss in trying to figure out what is so exciting about this new movie.
Nevertheless, I suppose I'll have to take the word of the voiceover and assume
that this is "the most exciting Pokémon movie yet" - not that that's really
saying much. For the six of you out there still interested in these crazy
little creatures, I'm sure this trailer will seem like a godsend to you, but I
think I speak for the vast majority of moviegoers when I say, "Enough with the
Pokémon already."
This film is a reprisal of a storyline that has been used in a countless
number of comedies - a young, struggling screenwriter in Hollywood comes up
with an imaginary script written by an even more imaginary screenwriter
and soon discovers that this "screenplay" has turned into the hottest thing in
Tinseltown. The cast is filled with young actors and actresses, the most
recognizable of whom is "that girl from the Blair Witch Project" (Heather
Donahue). Although the ad was cute, I felt like I had seen this film a
thousand times already, and it really didn't do anything to separate itself
from the pack. I would think the lack of marketable names would also keep the
film from gaining too much attention from mainstream audiences as well. Even
though this may turn out to be a very funny movie, I didn't feel that the
trailer did a very good job of selling the movie to the viewer.
Rob Reiner's new romantic comedy follows, if you believe the trailer, in the
vein of modern classics like "When Harry Met Sally." Although that comparison
might seem a little bit forced, particularly in the line about tomato skins
that is placed right after the "When Harry Met Sally" namedropping, the real
problem I had with this trailer was the fact that it was so gosh darn
confusing. Apparently Kate Hudson plays at least three characters in the
film, although who those characters are is a mystery to me. Luke Wilson plays
opposite Hudson, and one positive aspect of the trailer was that the two did
appear to have some good on-screen chemistry. I got the feeling that this was
supposed to be a "Sleepless in Seattle" or "When Harry Met Sally" for a new
generation, but that just isn't going to happen if the plot (especially the
multiple characters) is as confusing as it is in this preview. Hopefully the
film will get a new trailer that better explains the whole thing in the coming
weeks; certainly, a romantic comedy from Rob Reiner deserves the best
promotion it can get.
This heist flick is actually a remake of a 1969 film of the same name starring
Michael Caine, but is here updated and set in modern times. Although the
trailer was not spectacular, it was intriguing, and it did do a good job of
showcasing what looks to be the most appealing part of this film - its
phenomenal cast. Mark Wahlberg steps into Caine's role, and he is joined by
Edward Norton, Charlize Theron, Donald Sutherland, and Seth Green. The entire
cast (even Green as the obligatory techno-geek criminal) looked excellent in
their roles, but overall the film simply did not seem that thrilling or
exciting, a necessity in a good crime thriller. This is quite possibly due to
a poor trailer and not the film as a whole, and thus, while the movie does not
look excellent here, it would still seem to have a large amount of potential
due to its extremely intriguing cast.
After her outstanding performance in I Am Sam, Dakota Fanning became
recognized as one of the most precocious child actors anyone had seen in quite
some time. She appears here in a lighter role as the child of a businesswoman
who is constantly hiring new nannies for her daughter. The newest nanny
(Brittany Murphy) is the daughter of a rock-and-roll legend who is forced to
get a job after an unfortunate mishap, and to both her and the little girl's
surprise, they become fast friends. The most appealing part of this preview
for me was getting to see Dakota acting just as phenomenally as she did in I
Am Sam. The implication in the trailer is that the little girl is far more
mature than her nanny, and Fanning and Murphy seem to pull this off
brilliantly. While the sappy story might leave something to be desired, the
two main characters seem to have a rapport with one another that I was not
expecting to see. I can see this trailer being quite appealing to moviegoers
(especially female ones), and this film seems to be on the right track to
becoming a late summer hit.
After the debacle that was The Country Bears, I have to say I wasn't expecting
much from this latest Disney ride-turned-movie. The first teaser had no
actual scenes from the movie, and was extremely unimpressive in my view.
However, I was pleasantly surprised by this first full-length trailer for the
film. Clearly, the storyline is not the main focus here; although I did catch
something about a hidden treasure of Aztec gold, there wasn't too much beyond
that. What were impressive were the slick effects, particularly the human-to-
skeleton morph in the moonlight that was highlighted quite well here. Orlando
Bloom looks great as well in his first major non-Elven role, and with the
amount of makeup Johnny Depp wears in the film, Bloom will probably end up
being the most recognizable face in the trailer. All in all, this film looks
much, much better than I was expecting, and it definitely seems to have the
potential to be one of the fun summer films of 2003.
Manic is the story of a group of teenagers all committed at a juvenile mental
institution and the struggles they undergo in trying to overcome their
problems. The trailer was done without any voiceover, instead letting the
story tell itself through the strong performances of its actors and actresses
(notably Don Cheadle as the group's doctor and Joseph Gordon-Levitt as Lyle, a
troubled and violent teen). Almost the entire preview focused on the group
therapy sessions, which were so realistic that, if it hadn't been for the
familiar faces, I would have thought I was watching a documentary. Since
Gordon-Levitt is primarily known for his work in comedic roles, I was quite
surprised to see him in this film, but nevertheless I was quite impressed with
how good he looked in the part. Based on what looks to be a number of
excellent performances, the movie looks like a fascinating and intelligent
look into the minds of a number of troubled individuals.