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Finishing fourth is Sony's We Own The Night, with Mark Wahlberg and Joaquin Phoenix. The 1980s-set crime drama failed to live up to expectations as the star-studded picture could only find $11 million from 2,632 venues. It had a disappointing opening weekend average of $4,657. Everything came out blah for We Own The Night, as it failed in its marketing and film making, leading to a middle of the road opening weekend. The marketing carried no impact and failed to market the stars of this flick, both of whom had recently been nominated for Oscars: Walhberg for The Departed and Phoenix for Walk the Line. Critics also mostly abandoned this project, although there were a few that thought this flick was quietly brilliant. At RottenTomatoes, 80 reviewers chimed in, and 43 found something to like, leaving We Own The Night decidedly mixed with a 54% fresh rating. The good news here is that the production cost was only $20 million, so financially, no one is going to get hurt.

Fifth spot goes to The Heartbreak Kid, but I think its Paramount that has the heartbreak, not the Kid. After underperforming over its opening weekend in the last frame, The Heartbreak Kid got slapped again, earning only $7.4 million and dropping 47%, which is severe for a comedy like this one. The Heartbreak Kid has now earned $26 million and will be Stiller's biggest disappointment since Envy ($13.5 million finish), in which he co-starred with Jack Black.

Opening in sixth place is Elizabeth: The Golden Age, the sequel to the Oscar-nominated Elizabeth from 1998. The Golden Age took in more than the original did over any of its weekends at $6.2 million, but will most likely fail to reach the $30 million that the original grossed. Elizabeth: The Golden Age was released to 1,951 venues this weekend (more than three times more than the original received during the high point of its run) and has to settle for a venue average of $3,090. Critics slammed this follow-up, inverting the scores of the original picture. This one has gathered 93 reviews at RottenTomatoes, and only 23 were positive, leaving this Elizabeth with a rotten rating of 25%. Expect this Queen to disappear quickly.

Seventh spot goes to The Kingdom, the failed counter-terrorism movie from Universal. The Kingdom, now in its third weekend, earned a measly $4.6 million, and was off a painful 53%. This $80 million production has now earned $40 million, and will be lucky to make it to $50 million.

Landing in eighth is the expanding Across the Universe, as the Julie Taymor release brings its venue count up from 364 venues last weekend to 954 this weekend. Across the Universe increased its gross to $4 million, leaving it with a venue average of $4,193. The Beatles infused musical now has a running total of $12.9 million, and will end up a success for the folks at Sony.

Ninth goes to Resident Evil: Extinction, as it enjoys its last weekend in the top ten. The video game/zombie flick earned $2.7 million in its fourth weekend of release, dropping 41% from last weekend's frame. Extinction looks like it will finish exactly where the second film in the series, Apocalypse, did, right at $50 million. So far, Resident Evil: Extinction has earned $48.1 million.

Finishing tenth is The Seeker: The Dark Is Rising, which somehow manages to hang on for a second weekend on the charts. It earned another $2.2 million, and dropped a hefty-for-a-family-film amount of 43%. Its current total is $7.1 million, and it will shed the bulk of its theaters next weekend.

Overall, things were better than last weekend, but still deplorable compared to last year. In 2006, The Grudge 2 and Man of the Year disappointed over their opening weekends, but the top 12 at the box office still managed to ring up $99.1 million. This year, with a poor crop of holdovers, the top 12 earned $85.5 million. Next weekend, the box office will get a pick up when 30 Days of Night, the new vampire flick produced by The Evil Dead's Sam Raimi, hits movie theaters.

Top Weekend Box Office for 10/12/07-10/14/07 (Actuals)
Rank	Film	Distributor	Estimated Gross	Actual Gross	Weekly Change	Running Total
1	Tyler Perry's Why Did I Get Married?	Lionsgate	$21,500,000	$21,353,789	New	$21,353,789
2	The Game Plan	Walt Disney Pictures	$11,506,000	$11,037,505	New	$58,978,627
3	We Own the Night	Sony/Columbia	$11,000,000	$10,826,287	New	$10,826,287
4	Michael Clayton	Warner Bros.	$11,010,000	$10,373,422	New	$11,450,629
5	The Heartbreak Kid	DreamWorks	$7,425,000	$7,280,450	New	$25,856,010
6	Elizabeth: The Golden Age	Universal	$6,183,090	$6,153,075	New	$6,153,075
7	The Kingdom	Universal	$4,565,900	$4,608,025	New	$39,996,300
8	Across the Universe	Sony/Revolution Studios	$4,000,000	$3,824,988	New	$12,734,454
9	Resident Evil: Extinction	Sony/Screen Gems	$2,650,000	$2,646,261	New	$48,063,414
10	The Seeker: The Dark Is Rising		$2,150,000	$2,212,955	New	$7,167,028
11	Good Luck Chuck	Lionsgate	$2,030,000	$2,032,380	New	$32,758,031
12	3:10 to Yuma	Lionsgate	$1,460,000	$1,538,167	New	$51,535,461
	Also Opening/Notables
	Final Season	Yari Film Group	$665,000	$664,351	New	$664,351
	Lars and the Real Girl	MGM	$84,000	$90,418	New	$90,418
	Sleuth	Sony Pictures Classics	$50,090	$50,090	New	$50,090
	Control	The Weinstein Company	$27,000	$27,674	New	$35,856
	The Darjeeling Limited	Fox Searchlight Pictures	$1,125,000	$1,085,337	New	$2,155,758
	Lust, Caution	Focus Features	$606,091	$609,623	New	$1,259,026
	Into the Wild	Paramount Vantage	$955,502	$928,678	New	$3,959,354
	The Assassination of Jesse James by the Coward Robert Ford	Warner Bros.	$385,000	$432,273	New	$1,404,225
Click here for all weekend data
Box office data supplied by Exhibitor Relations

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